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e1050
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fiction-genres
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English Language Arts
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Fiction genres are categories of stories, classified according to certain characteristics of tone, content, form and technique.

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The Purpose of Genre in Literature
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The main purpose of genres is classification.
From a writer’s perspective, the classification offers a guideline according to the given characteristics of a genre.
From a reader’s perspective, the classification offers a set of expectations and apprehensions according to the given characteristics of a genre.

Keep in mind that genres aren’t rules to be followed: they are guidelines to be played with. Experienced writers will bend genres, mix them and use the reader’s expectations to create an interesting reading experience

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Fiction Literary Genre List
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There are countless genres and subgenres, with new ones being created regularly.

Here are some of the more common fiction genres in literature with their prevalent features.

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Action/Adventure
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The action adventure fiction genre generally involves a sense of danger or excitement, high stakes, a quest to complete and traveling to distant locations.
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Literary Examples

Treasure Island
(Stevenson, 1882)

The Life of Pi
(Martel, 2001)

Casino Royale
(Fleming, 1953)

What makes it action/adventure?

  • Search for a pirate treasure

  • Traveling the seas on a ship

  • Dangerous hidden agendas

  • Disastrous shipwreck

  • Lost at sea for a long time

  • Stuck on a raft with a tiger

  • Introduction of the James Bond character

  • Spying and intrigue

  • Cold War setting

Quote

“The Hispaniola still lay where she had anchored; but, sure enough, there was the Jolly Roger--the black flag of piracy--flying from her peak.”

“It is pointless to say that this or that night was the worst of my life. I have so many bad nights to choose from that I've made none the champion.”

“History is moving pretty quickly these days and the heroes and villains keep on changing parts.”

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Comedy
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The comedy fiction genre generally involves attempts at humour, exaggerations, social commentaries, wordplays and puns.
Description
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Literary Examples

The Hitchhiker's Guide to the Galaxy
(Adams, 1979)

Good Omens
(Pratchett & Gaiman, 1990)

A Midsummer Night’s Dream
(Shakespeare, 1595)

What makes it a comedy?

  • Witty turn of phrases

  • Premise: A human is dragged into a space adventure by an alien posing as human when the Earth is destroyed to make way for an intergalactic highway.

  • Character interactions (human, aliens & robots)

  • Narrator’s comments and observations

  • Premise: a baby mix-up causes the Antichrist to be misplaced, delaying the Apocalypse.

  • Protagonists are an angel and a demon who become friends 

  • Exaggerated situations: mistaken identities

  • Light tone: puns and wordplays

  • Comic characters: comic relief

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“Space is big. You just won't believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it's a long way down the road to the chemist's, but that's just peanuts to space.”

“Evil in general does not sleep, and therefore doesn't see why anyone else should.”

“Methinks, mistress, you should have little reason for that. And yet, to say the truth,  reason and love keep little company together nowadays”

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Drama
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The drama fiction genre generally involves realistic real-world setting, fleshed out characters, strong themes around relationships and powerful emotions.
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Literary Examples

The Great Gatsby
(Fitzgeralld, 1925)

The Help
(Stockett, 2009)

Hamlet
(Shakespeare, 1601)

What makes it a drama?

  • Fleshed out characters

  • Social comment on the excess of the Roaring Twenties

  • The narration has a reflective style

  • Theme: racial discrimination

  • Fleshed out characters

  • Context: during civil rights movement

  • Tragic hero: Hamlet

  • Internal and external conflicts

  • Themes: revenge, betrayal and death

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“I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused.”

“I always order the banned books from a black market dealer in California, figuring if the State of Mississippi banned them, they must be good.”

“Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.”

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Fantasy
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The fantasy fiction genre generally involves an imaginary world setting, magical elements, a quest and good versus evil confrontation.
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Literary Examples

The Fellowship of the Ring
(Tolkien, 1954)

The Princess Bride
(Goldman, 1973)

Harry Potter and the Philosopher’s Stone
(Rowling, 1997)

What makes it fantasy?

  • Good vs evil: the fellowship vs Sauron

  • Magic: the One Ring, dragons, elves…

  • Quest: destroying the power ring

  • Fairy tale-like setting

  • Magic: potions, miracle workers

  • True love as a power

  • Imaginary world: hidden wizard world

  • Magic: sorcery, goblins, trolls…

  • Quest: Harry, the chosen one

Quote

“Well, you can go on looking forward," said Gandalf. "There may be many unexpected feasts ahead of you.”

“You seem a decent fellow," Inigo said. "I hate to kill you."
You seem a decent fellow," answered the man in black. "I hate to die.”
 

“I can teach you how to bewitch the mind and ensnare the senses. I can tell you how to bottle fame, brew glory, and even put a stopper in death.”

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Fairy Tale
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The fairy tale genre generally involves magical elements, simple character archetypes, an undefined past, a moral and animal anthropomorphism.
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Literary Examples

The Little Mermaid
(Andersen, 1836)

Hansel and Gretel
(collected by the Brothers Grimm, 1812)

The Beauty and the Beast
(collected by Lang, 1889)

What makes it fairy tale?

  • A magical underwater kingdom

  • Moral about longing

  • The enchanted gingerbread house

  • The moral about greed

  • The transformation of the Beast

  • The moral about inner beauty

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“At first she was overjoyed that he would be with her, but then she recalled that human people could not live under the water, and he could only visit her father's palace as a dead man.”

"You're nothing but skin and bones!" said the witch, locking Hansel into a cage. I shall fatten you up and eat you!"

“Monsters are more effective than princes when it comes to keeping what you care about safe.”

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Historical Fiction
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The historical fiction genre generally involves historical past settings with both accurate and fictional elements.
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Literary Examples

The Pillars of the Earth
(Follett, 1989)

A Tale of Two Cities
(Dickens, 1859)

The Boy in the Striped Pajamas
(Boyne, 2006)

What makes it historical fiction?

  • Set in the 12th century, in England

  • Fictional main characters

  • Accurate depiction of architecture and technology for the period

  • Set in the 18th century, during the French Revolution

  • Fictional main characters in parallel storylines

  • Accurate depiction of the Reign of terror, the storming of the Bastille and the aristocracy

  • Set during World War II

  • Main characters and climax story events are both fictional

  • Accurate depiction of the Holocaust, the Auschwitz camp and the Final Solution

Quote

“When things are simple, fewer mistakes are made. The most expensive part of a building is the mistakes.”

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.”

“What exactly was the difference? He wondered to himself. And who decided which people wore the striped pajamas and which people wore the uniforms?”

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Horror
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The horror fiction genre generally involves a sense of fear and dread, a moody setting, an out-of-the ordinary threat (that may be of supernatural nature) and the unknown.
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Literary Examples

Frankenstein
(Shelley, 1818)

The Terror
(Simmons, 2007)

At the Mountains of Madness
(Lovecraft, 1936)

What makes it horror?

  • Threat: the Frankenstein monster

  • Fear: consequences of creating life

  • Setting: bleak and dark—gothic

  • Threats: the environment and the monster

  • Setting: the isolated Arctic

  • Fear: starvation, madness and freezing to death

  • Threat: ancient evil powers

  • The unknown: understanding leads to madness

  • Setting: isolated in Antarctica

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“...I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.”

“In this cold, teeth can shatter after two or three hours—actually explode—sending shrapnel of bone and enamel flying inside the cavern of one’s clenched jaws.”

“What we did see—for the mists were indeed all too malignly thinned—was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s “thing that should not be”;”

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Legends & Myths
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Legends are based on some factual elements whereas myths are completely fictional. Legends are about human making heroic exploits whereas myths aim to explain phenomena with the use of the supernatural.
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Examples Legends

What makes it a legend

The legend of Robin Hood
(14th century)

  • Based on a man that may or may not have existed in the 12th or 13th century.

  • Steals from the rich to give to the poor

The legend of King Arthur
(12th century)

  • Based on a character from 6th century poems—his existence is debated

  • Lead armies to defeat invaders

The legend of Robert Johnson
(1930s)

  • Based on an American blues musician (1911-1938)

  • Sold his soul to the devil to become a great musician.

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Examples of Myths

What makes it a myth

Prometheus stealing fire from the gods to give it to humankind
(8th century B.C.)

  • Symbolism: fire represents knowledge and advancement (i.e. technology)

  • Supernatural elements: Olympian beings and gods Greek mythology 

Pandora’s box
(7th century B.C.

  • Symbolism: the box represents human curiosity and its possible repercussions

  • Supernatural elements: the enchanted box itself.

Ragnarök
(8th century)

  • Symbolism: rebirth

  • Supernatural elements: gods of Norse mythology.

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Mystery
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The mystery fiction genre generally involves a crime, frequently a murder, an investigation, a puzzling plot with clues and foreshadowing, and a resolution.
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Literary Examples

Murder on the Orient Express
(Christie, 1934)

Shutter Island
(Lehane, 2003)

The Hound of the Baskervilles
(Conan Doyle, 1902)

What makes it mystery?

  • a murder

  • several likely suspects

  • protagonist investigator: Hercules Poirot

  • investigation of a disappearance

  • clues pointing to a much more complex mystery

  • protagonists: 2 detectives

  • a mysterious death

  • resolution by deduction from clues

  • protagonist investigator: Sherlock Holmes

Quotes

“But I know human nature, my friend, and I tell you that, suddenly confronted with the possibility of being tried for murder, the most innocent person will lose his head and do the most absurd things.”

“It’s an island, boss. They’ll always find us.” Teddy met Chuck’s eyes and nodded. For the first time since they’d met, he could see fear in Chuck’s eyes, his jaw trying to tighten against it.

“The more outré and grotesque an incident is the more carefully it deserves to be examined.”

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Romance
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The romance fiction genre generally involves a central romantic relationship, conflicts and obstacles to that relationship and an optimistic conclusion in most cases.
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Literary Examples

Outlander
(Gabaldon, 1991)

Gone with the Wind
(Mittchell, 1935)

The Notebook
(Sparks, 1996)

What makes it romance?

  • Centers on the love story between the 2 protagonists

  • Obstacles: cultural and historical conflicts between the characters

  • Two love interests for the female protagonist

  • Centers on the love story between the 2 protagonists

  • Obstacles: social class and the American Civil War

  • A satisfying resolution

  • Centers on the love story between the 2 protagonists

  • A protagonist is already engaged to be married

  • Obstacles: social classes, distance and sickness

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“For where all love is, the speaking is unnecessary. It is all. It is undying. And it is enough”

“Hush," he said. "I am asking you to marry me. Would you be convinced if I knelt down?”

“The romantics would call this a love story, the cynics would call it a tragedy.”

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Science Fiction
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The science fiction genre generally involves advanced and/or speculative technology and/or science, exploration of the unknown, strong themes (commonly about humanity) and relatable characters.
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Literary Examples

1984
(Orwell, 1949)

Dune
(Herbert, 1965)

Foundation
(Asimov, 1951)

What makes it science fiction?

  • Speculative tech: surveillance and video phones

  • Themes: truth and perception

  • Advanced tech: space travel

  • Themes: power and leadership

  • Speculative tech: psychohistory science to predict the future

  • Themes: the individual vs the collective

Quote

“Doublethink means the power of holding two contradictory beliefs in one's mind simultaneously, and accepting both of them.”

“Science is made up of so many things that appear obvious after they are explained.”

“Through hyper-space, that unimaginable region that was neither space nor time, matter nor energy, something nor nothing, one could traverse the length of the Galaxy in the interval between two neighboring instants of time.”

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Fiction Subgenres
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Subgenres in fiction are subcategories of genres. They are more specialized and specific than the broader fiction genres. There is an unlimited number of possible subgenres.

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Common Fiction Subgenres in Literature

Keep in mind that there is a considerable number of subgenres. These are but a few of the common ones with examples of novels matching the subgenres.

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Alternate History
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  • Explores a what-if scenario based on historical events or characters.

  • Frequently makes social and/or political comments

  • Explores themes about humanity

The Man in the High Castle (Dick, 1962)

A Connecticut Yankee in King Arthur's Court (Twain, 1889)

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Coming-of-age
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  • Centers around the protagonist moving into adulthood

  • Story events reflect the personal changes and growth of the protagonist

  • Can be used with any other fiction genre or subgenre

The Catcher in the Rye (Salinger, 1951)

The Harry Potter series (Rowling, 1997-2007)

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Dystopia
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  • Futuristic advanced society setting, controlled by an oppressive power

  • Themes of privacy, freedom, control and indoctrination

  • Social commentary reflecting real world issues

Fahrenheit 451 (Bradbury, 1953)

Brave New World (Huxley, 1932)

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Gothic Horror
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  • Dark and moody setting recalling the past, frequently represented by gothic architecture

  • Light and darkness frequently used as symbols (e.g. representing knowledge and ignorance)

  • Common themes include: isolation, madness and mortality 

Dracula (Stoker, 1897)

The Strange Case of Dr. Jekyll and Mr. Hyde (Stevenson, 1886)

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High & Low Fantasy
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Low Fantasy

  • Set in the real world or a realistic world

  • Magical and supernatural elements are subtle, not a on a grand scale

The Borrowers (Nortin, 1952)

American Gods (Gaiman, 2001)

High Fantasy

  • Set in imaginary epic worlds

  • Magical and supernatural elements omnipresent and often on a powerful scale

The Lord of the Rings series (Tolkien, 1954-1955)

The Gunslinger (King, 1982)

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Post-Apocalyptic
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  • A catastrophic event affected the world

  • Characters are survivors clashing over limited resources

  • Themes of morality and human nature

The Road (McCarthy, 2006)

On the Beach (Shute, 1957)

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Satire
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  • Social commentary done with humor and wit

  • Caricatures and exaggerates using irony, parody, sarcasm…

  • Can be mixed with any fiction genre or subgenre

Catch-22 (Heller, 1961)

Gulliver’s Travels (Swift, 1726)

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Swashbuckling
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  • Adventures with romance, action and witty wordplays

  • Dashing protagonist and dastardly villain archetypes

  • Themes of honor and loyalty are common

The Three Musketeers (Dumas, 1844)

The Sea Hawk (Sabatini, 1915)

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Sword and Sorcery
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  • Centers on action and adventure

  • A quest of personal mature for the protagonist—not world saving

  • Themes of loyalty, revenge and duty are common

The Witcher (Sapkowski, 1991)

Sword-Dancer (Roberson, 1986)

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Thriller
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  • Focus is on suspense and excitement—not the investigation process

  • Active protagonist during the story events—as opposed to an investigator showing up after the fact

  • Sense of urgency, immediate threats

The Girl with the Dragon Tattoo (Larsson, 2005)

The Silence of the Lamb (Harris, 1988)

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Western
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  • American frontier setting, typically in the mid to late 19th century

  • Themes of justice, freedom, revenge and honor are common

  • Cowboy or outlaw protagonist

True Grit (Portis, 1968)

Riders of the Purple Sage (Grey, 1912)

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Whodunit
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  • Focus is on the investigation process

  • Many twists and turns as the story unfolds

  • Challenges the reader with clues and red herrings

The Murder of Roger Ackroyd (Christie, 1926)

Gone Girl (Flynn, 2012)

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Young Adult (YA)
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  • Young protagonist, from teenagers to young adulthood

  • Coming-of-age story

  • Can be mixed with any fiction genre or subgenre

The Hunger Games (Collins, 2008)

The Fault in Our Stars (Green, 2012)

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See Also
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